Mifune

The Lighter Side of Dogma
Despite the fact that it adheres to the strict aesthetic tenets of Dogma 95, Mifune is about as accessible as a romantic comedy named after a Japanese actor can get. Although Soren Kragh-Jacobsen's film, like the Dogma releases that preceded it (Breaking the Waves and The Celebration) eschews special effects, incidental music, etc., Mifune isn't nearly as dark.

Kresten (Anders W. Berthelsen) is an ambitious businessman who has successfully concealed his rural past until it catches up with him upon the death of his father. He leaves his new wife (who just happens to be his boss' daughter) after the honeymoon, telling her he'll be back soon, but sparing her as many details as possible. And so he returns to the ancestral farm, hoping to tie up a few loose ends and then return to his comfortably bourgeois existence in the city. But the situation at home turns out to be far worse than he thought, particularly in regards to his mentally challenged brother, Rud (Jasper Asholt), who...

Three good reasons to see "Mifune"
This is a very good movie that has three things going for it...

1. It's an excellent example of the Dogme style of filmmaking, carried out most notably over the past eight years by Lars von Trier. And since von Trier's most notable work is so draining to watch, you can get acclimated to Dogme with "Mifune" director S